Developing creative thinking in beginning design / edited by Stephen Temple.

Language: English Publisher: New York : Routledge, 2019Description: xxvii, 278 pages : illustrations ; 24 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9781138654877 (pbk.)Subject(s): Design -- Study and teaching (Higher) | Creative thinkingDDC classification: 745.4071 LOC classification: NK1170 | .D499 2019
Contents:
Part I: Creative Traditions in the Contemporary Design Educational Context 1 Beginning Design: Seven Points 2 Blurry Target Part II: Transformative Development Through Learning Creativity 3 The Touch of Hands and the Awakening of Sensibility: A Creative Thought at the Beginning Level in Architecture 4 The Structure of Knowledge and Beginning Design Education 5 Threshold of Uncertainty and Design Education 6 Zen and/in Beginning Design Education Part III: Creative Decision Making, Uncertainty, Failure, and Openness 7 Uncertainty and Creative Decision Making in Beginning Design Experiences 8 A Temporal Attitude 9 Dashed Hopes: Lessons in the Failure of Best Intentions 10 The Open Project: Field Notes for an Investigation Part IV: Embodied and Phenomenological Approaches in Beginning Design 11 The Spatial Body in the Proto-Architectural Phase of Design 12 Violet Light Under a Saffron Sky: Creativity, Phenomenology, and Speculative Realism in Beginning Design 13 In the Making: Creative Thinking in the Architectural Design Studio Part V: Creativity and Making 14 Where Do Ideas Come From? A Hands-On Strategy for Designing and Building Architecture 15 Oculata Manus: On the Role of the Body in the Making of Creative Minds 16 DESIGN-BUILD Build/Design: An Inquiry-Based Approach to Teaching Beginning Design Students 17 Think>Make and Make/Think: Beginning Steps in Architectural Design
Summary: Learning to think and act creatively is a requisite fundamental aspect of design education for architectural and interior design as well as industrial and graphic design. Development of creative capacities must be encountered early in design education for beginning students to become self-actualized as skillful designers. With chapters written by beginning design instructors, Developing Creative Thinking in Beginning Design addresses issues that contribute to deficiencies in teaching creativity in contemporary beginning design programs. Where traditional pedagogies displace creative thinking by placing conceptual abstractions above direct experiential engagement, the approaches presented in this book set forth alternative pedagogies that mitigate student fears and misconceptions to reveal the potency of authentic encounters for initiating creative transformational development. These chapters challenge design pedagogy to address such issues as the spatial body, phenomenological thinking, making as process, direct material engagement and its temporal challenges, creative decision making and the wickedness of design, and the openness of the creative design problem. In doing so, this book sets out to give greater depth to first design experiences and more effectively enable the breadth and depth of the teacher–student relationship as a means of helping your students develop the capacity for long-term self-transformation.
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745.4071 D4921 2019 (Browse shelf) Available CITU-CL-50027
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Biography
Stephen Temple teaches beginning design and theory at the University of Texas at San Antonio, USA. He studies philosophy and psychology as a precursor to creative thinking and builds to explore theory. His recent book, Making Thinking: Beginning Architectural Design Education (2011) supports making as a foundation experience for design education.

Includes bibliographical references and index.

Part I: Creative Traditions in the Contemporary Design Educational Context

1 Beginning Design: Seven Points

2 Blurry Target

Part II: Transformative Development Through Learning Creativity

3 The Touch of Hands and the Awakening of Sensibility: A Creative Thought at the Beginning Level in Architecture

4 The Structure of Knowledge and Beginning Design Education

5 Threshold of Uncertainty and Design Education

6 Zen and/in Beginning Design Education

Part III: Creative Decision Making, Uncertainty, Failure, and Openness

7 Uncertainty and Creative Decision Making in Beginning Design Experiences

8 A Temporal Attitude

9 Dashed Hopes: Lessons in the Failure of Best Intentions

10 The Open Project: Field Notes for an Investigation

Part IV: Embodied and Phenomenological Approaches in Beginning Design

11 The Spatial Body in the Proto-Architectural Phase of Design

12 Violet Light Under a Saffron Sky: Creativity, Phenomenology, and Speculative Realism in Beginning Design

13 In the Making: Creative Thinking in the Architectural Design Studio

Part V: Creativity and Making

14 Where Do Ideas Come From? A Hands-On Strategy for Designing and Building Architecture

15 Oculata Manus: On the Role of the Body in the Making of Creative Minds

16 DESIGN-BUILD Build/Design: An Inquiry-Based Approach to Teaching Beginning Design Students

17 Think>Make and Make/Think: Beginning Steps in Architectural Design

Learning to think and act creatively is a requisite fundamental aspect of design education for architectural and interior design as well as industrial and graphic design. Development of creative capacities must be encountered early in design education for beginning students to become self-actualized as skillful designers.

With chapters written by beginning design instructors, Developing Creative Thinking in Beginning Design addresses issues that contribute to deficiencies in teaching creativity in contemporary beginning design programs. Where traditional pedagogies displace creative thinking by placing conceptual abstractions above direct experiential engagement, the approaches presented in this book set forth alternative pedagogies that mitigate student fears and misconceptions to reveal the potency of authentic encounters for initiating creative transformational development.

These chapters challenge design pedagogy to address such issues as the spatial body, phenomenological thinking, making as process, direct material engagement and its temporal challenges, creative decision making and the wickedness of design, and the openness of the creative design problem. In doing so, this book sets out to give greater depth to first design experiences and more effectively enable the breadth and depth of the teacher–student relationship as a means of helping your students develop the capacity for long-term self-transformation.

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