A history of narrative film / (Record no. 72746)

000 -LEADER
fixed length control field 03585cam a2200337 i 4500
001 - CONTROL NUMBER
control field 4646078
003 - CONTROL NUMBER IDENTIFIER
control field CITU
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20210810145039.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 791113s1981 nyua b 001 0 eng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 79025862
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0393013707
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0393090221 (pbk.)
040 ## - CATALOGING SOURCE
Original cataloging agency CITU LRAC
Transcribing agency eng
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN1993.5.A1
Item number C65 1981
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 791.4309
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Cook, David A.
Relator term author
245 12 - TITLE STATEMENT
Title A history of narrative film /
Statement of responsibility, etc. David A. Cook.
250 ## - EDITION STATEMENT
Edition statement First edition
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture New York :
Name of producer, publisher, distributor, manufacturer Norton,
Date of production, publication, distribution, manufacture, or copyright notice c1981.
300 ## - PHYSICAL DESCRIPTION
Extent xxiii, 721 pages :
Other physical details illustrations ;
Dimensions 24 cm.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier
490 ## - SERIES STATEMENT
Series statement
500 ## - GENERAL NOTE
General note Includes index.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Bibliography: p. 671-692.
505 ## - FORMATTED CONTENTS NOTE
Formatted contents note Origins --<br/>International expansion, 1907-1918 --<br/>D.W. Griffith and the Consummation of narrative form --<br/>German Cinema of the Weimar period, 1919-1929 --<br/>5 Soviet Silent Cinema and the Theory of Montage, 1917-1931: The pre revolutionary cinema, The birth of the Soviet cinema, Dziga Vertovand the Kino-eye, Lev Kuleshov and the Kuleshov workshop, Sergei Eisenstein, Vsevolod Pudovkin, Alexander Dovzhenko, Other Soviet film makers, Socialist realism and the decline of Soviet cinema --<br/>6 Hollywood in the Twenties: Thomas Ince, Mack Sennett and the studio system of production, Charlie Chaplin, Buster Keaton, Harold Lloyd and others, Hollywood scandals and the creation of the MPPDA, Cecil B. DeMIlle, The continental touch (Lubitsch and others), In the American grain, Erich von Stroheim --<br/>7 The Coming of Sound and Color, 1926-1935: Sound on disk, sound on film, Vitaphone, Fox Movietone, the process of conversion, The introduction of color, Problems of early sound recording, The theoretical debate over sound, The adjustment to sound --<br/>8 The Sound Film and the American Studio System: New genres and old, Studio politics and the production code, The structure of the studio system, Major figures in the studio era --<br/>9 Europe in the Thirties: Britain, Germany, The Soviet Union, France --<br/>10 Orson Welles and the Modern Sound Film: Citizen Kane, Welles after Kane. 11 Wartime and Postwar Cinema: Italy and The United States, 1940-1951:The effects of war, Italy, America --<br/>12 Hollywood, 1952-1965: The conversion to color, Widescreen, American widescreen pioneers, Other American directors, Fifties genres, Independent production and the decline of the studio system, The scrapping of the production code --<br/>13 The French New Wave and Its Native Context: The occupation and post-war cinema, The influence of the Fifties documentary movement and independent production, Theory (Astruc, Bazin and Cahiers du Cinema), The New Wave (the first films), The New Wave (The origins of style), Major New Wave figures, The significance of the New Wave --<br/>14 European Renaissance: West --<br/>Britain, Commonwealth cinema (Australia and Canada), The second Italian film renaissance, Contemporary widescreen technologies and styles, Ingmar Bergman, Luis Bunuel --<br/>15 European Renaissance: East --<br/>Poland, Czechoslovakia, Hungary, Yugoslavia, Bulgaria, Romania, the Soviet Union --<br/>16 Wind from the East: Japan and Elsewhere --<br/>Japan, Satyajit Ray and Indian film, A note on china --<br/>17 The Shape of the Seventies: Third world cinema, Germany (Das Neue Kino), Hollywood, 1965-1970, Hollywood in the seventies, The shape of the future.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Motion pictures
General subdivision History.
906 ## - LOCAL DATA ELEMENT F, LDF (RLIN)
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f 19
g y-gencatlg
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme
Koha item type BOOK
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Permanent Location Current Location Shelving location Date acquired Source of acquisition Cost, normal purchase price Inventory number Full call number Barcode Date last seen Price effective from Koha item type
          COLLEGE LIBRARY COLLEGE LIBRARY SUBJECT REFERENCE 2021-08-10 PLMP 90.86 29686 791.4309 C771 1981 CL-29686 2021-08-10 2021-08-10 BOOK